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A Quiet Passion
2016
125 min
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Country: USA
Genre: Drama, Biography, Romance
Year: 1972
Director: John Palmer, David Weisman
CIAO! MANHATTAN parallels Andy Warhol Factory star Edie Sedgwick's glory days in the late 1960s through her inevitable downfall and the tragic addiction that would take her life only weeks after filming wrapped in 1971.
Country: Denmark, France, Poland
Genre: Drama, Biography
Year: 1989
Director: Maciej Dejczer
Based on a true story dating back to 1985 when two Polish boys, a teenager and his little brother, escaped from communist Poland all the way to Sweden, hidden under a truck. In the movie, their destination has been changed to Denmark.
Country: USA
Genre: Drama, Biography
Year: 2017
Director: Guillermo Navarro
The real life of Colombian drug lord, Griselda Blanco, who reportedly masterminded more than 200 murders. This film presents her life story from the time she was a young girl to the end of her life.
Country: France, Myanmar
Genre: Drama, Biography, Comedy
Year: 2017
Director: Michel Hazanavicius
During the making of one of his films, French film director Jean-Luc Godard falls in love with 17-year old actress Anne Wiazemsky and later marries her.
'If you could hear the voice of God, would you want to keep it secret?' A historical drama based on the memoirs of St. Ignatius of Loyola, founder of the Jesuit order. This is the story of ...
Country: UK, West Germany
Genre: Drama, Music
Year: 1988
Director: Terence Davies
The second film in Terence Davies's autobiographical series ('Trilogy', 'The Long Day Closes') is an impressionistic view of a working-class family in 1940s and 1950s Liverpool, based on Davies's own family. The first part, 'Distant Voices', opens with grown siblings Eileen (Angela Walsh), Maisie (Lorraine Ashbourne) and Tony (Dean Williams), and their mother (Freda Dowie) arranged in mourning clothes before the photograph of their smiling father (Pete Postlethwaite). Soon after, the family poses in a similar tableau, but for a happier occasion - Eileen's wedding. While relatives sing at her reception, Eileen hysterically grieves for her dad, and recalls happy times of her youth. Tony and Maisie's memories, however, are more troubled. Davies intermingles and contrasts scenes like the family peacefully lighting candles in church with the brutal man beating his wife and terrorizing his young children. In 'Still Lives', set (and filmed) two years later, the siblings are settled in life, but not all happily. For Eileen, relief from her drab existence comes only when singing at the pub. With his skillfully composed frames and evocative use of music in place of dialogue, Davies creates a lovely, affecting photo album of a troubled family wrestling with the complexity of love.